EvoService is the platform Corob technicians use to keep industrial dispensing equipment running. The brief was blunt: the people using it are on a factory floor, often in gloves, often in a hurry, and the old tool made them think too hard.

I mapped the full service journey — ticket intake, machine diagnostics, part ordering and the report that closes the loop — then rebuilt the interface around the three things a technician actually does in the first ten seconds of opening it.

The result is a dense, information-first application that still feels quiet: strong hierarchy, a restrained palette, and a component library that let the engineering team ship new screens without coming back to me for every one.

RapRewind is a YouTube channel about the history of rap, and its audience wanted merch. What they had was a link in a bio and no place that felt like the channel.

I designed the whole thing around the channel’s visual language — heavy type, high contrast, archival texture — and made sure the storefront never got in the way of the music. Product pages are short, the cart is two taps, and the whole thing is built mobile-first because that’s where the audience lives.

This one I also built. Design and front end were the same job, which meant the shipped site is exactly the file, down to the letter-spacing.

Foxy monitors a store, its customers, products, ads, inventory and margins around the clock. It connects Shopify or WooCommerce with sources such as GA4, Meta Ads, Google Ads, Klaviyo, shipping, returns and payments.

The experience turns that data into direct answers: what changed, why it likely happened and what to do next. It also surfaces proactive alerts, so teams can respond without searching through a reporting maze.

I shaped the brand, marketing site and product interface, then carried the system into the front end. Working across all three kept the friendly Foxy identity and the analytical product experience consistent.

NavyBlue offers private and semi-private cruises, sea transfers and island-hopping experiences around the Greek islands. The product needed to make several similar-looking services easy to understand before asking a traveller to commit.

I separated direct transfers from multi-island journeys, mapped the full booking flow, and designed the responsive screens around the decisions that matter most: route, dates, passengers, vessel and price.

The work also extended into the partner side of the platform, with onboarding journeys for skippers, marinas and experience providers, all held together by a fresh maritime visual identity and a reusable UI system.

BookCraft was created for the US-based operator behind Mediterranea Metal Cruise, a multi-night music cruise around the Greek islands. Their internal workflow had to coordinate bookings for guests, artists and staff alongside cabin allocation, occupancy, add-ons, costs and budgets.

The team already received booking data from online systems, but managing it internally still required too much manual work across separate places. I helped shape that workflow into a focused desktop application that non-technical users could understand at a glance.

Users select an event year, then move into a practical dashboard showing booked and available cabins, reservation details, occupancy categories and financial status. The result replaces repetitive manual tracking with a faster, clearer operational tool built for the way the cruise team actually works.